The Joshua Tree is the sound of the quest that leaves you transformed. But the spirit of travel and adventure remains, as does the spirit of being lost in a strange place and soaking in the beauty of the unknown. The album’s original title was The Two Americas. They rock with the tools of their era, but they also tap into something eternal. Never before have U2s big messages sounded so direct and personal. The backdrop-the inky washes of sound, courtesy of Brian Eno and Daniel Lanois-captures constant change, but the foreground-the march-like rhythms, the impassioned vocals-is steadfast and firm. The words point to romantic love (“With or Without You,” “I Still Haven’t Found What I’m Looking For”) but also to the search for God and meaning-a reflection of the dualities they found in both gospel and the romanticism of Van Morrison and Patti Smith. But if you sit back, it sounds minimal and direct. If you lean in close, you can pull apart the sound in layers: the wisps of guitar, the bits of pocket-watch percussion (“One Tree Hill”). But if he was going to sing the way he was capable of singing-the way he so obviously wanted to sing-he’d have to buckle down and write words he really believed in. Bullet the Blue Sky Lyrics by U2 from the The Joshua Tree album - including song video, artist biography, translations and more: In the howling wind comes a. Chrissie Hynde of the Pretenders had told Bono he had an amazing voice. Now they were exploring the liberations that come with constraint. The band released a remastered edition of the album in 2007 and then again in 2017, and it has been a witness to U2’s most significant transformations as well as their development as individual artists and. In the past, they’d let their songwriting be loose and in-the-moment-after all, planning would’ve been unpunk. The Joshua Tree was one of the best-selling albums both in the UK and the US, as well as one of the fastest-selling records of all time. But the stakes were higher now: They’d already been crowned Band of the ’80s by Rolling Stone (in 1985, no less), and their live shows had become the kind of spectacles that inspired rapture.Īdd to this the anxiety that The Joshua Tree represented something new for the band: the gospel influences, the emotional nakedness, the introduction of understatement to a sound that had defined itself by its forthrightness. He’d had this feeling before, of course-he later said he couldn’t figure out why anyone would even buy a U2 album. Too many mistakes, he thought, too many wrong moves. Shortly before U2 released what became one of the best-selling albums of all time, Bono thought about calling the record-pressing plant to stop production on it.

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